![]() ![]() These are simple to create in the New Sequence panel shown in Figure 2 where you see a 600圆00 preset suitable for square videos on Instagram or Pinterest. First, many social media producers have sequence presets specific to the desired output resolution and aspect ratio. You can access Auto Reframe in one of two ways. In my tests, Auto Reframe was incredibly fast and very accurate. As part of the process, Premiere Pro analyzes all components of the sequence and shifts them within the new output resolution to make sure the region of interest is always in view, creating keyframes you can adjust as necessary to perfect the video. I’ll explore operation in more complicated projects below.Īt a high level, Auto Reframe lets you edit your video as normal, and when complete, output in multiple resolutions and aspect ratios via simple commands. If you applied Auto Reframe to the original sequence, Premiere Pro would make a similar adjustment to each segment in the sequence, and the result should be quite similar. In the original edit of this video, the sequence would be comprised of dozens of clip segments. ![]() Converting a 16:9 source into 9:16 output.įrom a project creation perspective, this is a very simple example. On my HP Zbook notebook, Auto Reframe generated them all in under ten seconds.įigure 1. There are about 156 keyframes in this 62-second segment if it took you a conservative 30 seconds per keyframe, it would take you well over an hour to position and insert them. The blue dots in the middle of the frame are the keyframes used to keep the relevant action within the output window. The bounding box around the visible frame is the 16x9 input source. In the Program monitor, the 9:16 window showing the singer is the visible component that will be output with the video. It’s an extreme case, but it illustrates the problem. The video was shot in 16:9, but I’m producing it in 9:16, say for Snapchat or Instagram. This shows Premiere Pro’s Program monitor previewing a 9x16 video of the opening sequence of Dua Lipa's "New Rules" video that I downloaded from YouTube, which walks the singer through a gauntlet of rooms, hallways, and girlfriends seemingly in one long continuous shot. While outputting your 1080p or 4K source to these requirements is straightforward, making sure the most relevant content from your widescreen video is effectively presented in those non-traditional outputs can be a time-consuming challenge.įigure 1 illustrates this problem. If you produce for social media, however, you have an array of aspect ratios and resolutions to deliver, including 9:16, 1:1, 4:5, and many others in a variety of platform-specific resolutions. If you produce video for traditional video outlets, it’s pretty much a 16:p world. ![]()
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